New Artist TYNISHA KELI Is On The Rise

Pop/R&B singer Continues to Spread Word About New Solo Album.
(November 26, 2007)
Eventful, the leading global events website, announced that hot new Pop/R&B sensation Tynisha Keli who is known within the entertainment industry as an online phenomenon that truly leverages the power of social networking to engage fans, will use Eventful's Demand service to further promote the release of her first solo LP Tynisha Keli, with the launch of the "Tynisha Keli: I Wish Tour" a nationwide demand competition.

This talented beauty will grace the stage with a live performance in the top 5 cities that demand her the most, letting her fans determine which cities get the chance to discover and experience her music through her debut tour.

Eventful Demand enables fans to influence where their favorite artists perform by creating grass-roots campaigns to "Demand" the artists to come to their town.

Thousands of artists, comedians and even politicians are using Eventful Demand to connect with their fans and empower them to help shape their tour. Eventful Demand is quickly becoming a phenomenon in the music and entertainment industry.





This budding star, Tynisha Keli, will be using Eventful Demand to let thousands of her fans determine which five cities get to be introduced to this new solo artist through live performances, bringing her unique sound and irresistible appeal directly to her core fans.

Launched on September 19th, the Demand competition continued through 2:00 pm PST, October 31st, at Eventful. The winning cities were announced on November 1st.

"I am really as close to my digital fans as I can possibly be, because of their bona fide love and support for my music," states Tynisha Keli. "I just released my first single called "I Wish You Loved me" recently, and am about to start promoting it so I thought, what a better way to kick start this promotional tour than having my fans be a part of something they've been a part of since the beginning. Thanks to Eventful.com for giving me an incredible opportunity, now I can actually interact with my fans and perform for them. Finally I can do what we've all been wanting for some time now. Thank you Eventful.com! -You Rock- ."

"We love helping build stronger connections between fans and artists by enabling fans to influence where their favorite performers tour," said Eventful's CEO Jordan Glazier. "We're excited to help Tynisha Keli give her devoted fans the power to shape her tour."

Along with MySpace, YouTube and iTunes, Eventful is quickly becoming an essential part of the online marketing toolkit for performers and artists. Eventful is transforming the way that tours get routed by empowering fans to influence the tours of their favorite performers and by enabling performers to make the best decisions about where to tour.

Fans can log on to www.eventful.com/tynishakeli, and www.myspace.com/ tynishakeli to join the competition and Demand a performance from Tynisha Keli.

About Eventful, Inc.

San Diego based Eventful, Inc., operates Eventful.com, the leading events website which enables its community of users to discover, promote, share and create events throughout the world. Eventful users select from nearly 4 million events taking place in local markets throughout the world, from concerts and sports to singles events and political rallies. Eventful's Demand service enables users to influence where their favorite performers appear by creating grass- roots campaigns to "Demand" them in their town.


About Tynisha Keli

Just a girl who came from nothing trying to make her way. Tynisha Keli comes from a very poverty stricken home and struggled most of her life... "I caught a break when i was 14 just to come to LA and struggle in a different way... i was now in another world at 14 but with no family or friends...Even though it was rough I found a way to make it work cause I had never wanted something so bad! "Tynisha signed to MCA Records (age 15) in a girls group. "From the beginning i knew it wasn't for me. As time went on I wanted to branch out and try it on my own. So I signed to a production company then signed to Warner Brothers Records and began recording the solo album. Something just wasn't fittin' I wasn't content with what we had. I grew up a little more, started to change mentally, physically and spiritually so decided to change the route of the album. I released the production company and started to work with different producers that i thought fit the criteria of what i was searching for. Producers such as Brian Michael Cox, Justice League, Tha Corna Boyz, Robin Thicke, Co- Stars and so many more... Now that i'm almost there, so close i swear i can taste it, I realize that in the end your dreams do come true if you don't give up on them no matter how hard it gets."

"Some things are worth sacrificing all that you have!" - Tynisha Keli

Check out Tynisha Keli's new single, Wish You Loved Me:

Quicktime:
Hi:
http://streamos.wbr.com/qtime/wbr/tynishakeli/audio/tynishakeli_001_wish-you-loved-me_002_128.mov

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http://streamos.wbr.com/qtime/wbr/tynishakeli/audio/tynishakeli_001_wish-you-loved-me_002_56.mov

Windows Media
Hi:
http://streamos.wbr.com/wmedia/wbr/tynishakeli/audio/tynishakeli_001_wish-you-loved-me_002_128.wax

L
http://streamos.wbr.com/wmedia/wbr/tynishakeli/audio/tynishakeli_001_wish-you-loved-me_002_56.wax



iTunes Buy Link:
http://ax.phobos.apple.com.edgesuit...26siteID%3DF.ihJmqx4aQ-oaAlHN21Kmt88v94fabBsQ

 

A white girl named Tynisha

:lol: :lol: :lol: :lol: :lol: :lol: :lol: :lol:

 

:lol: :lol: :lol: :lol: :lol: i was thinking the exact same damn thing

 

She could be the next Aretha and still not get any play on urban radio.

 

Bullshit. Robin Thicke, Jojo, Joss Stone and Justin Timberlake get their tunes played on urban radio. Shit, even Gwen Stefani gets played by black radio and she can't hold a tune with Robin Thicke.

 

Co-sign.

 

I hope she is not another whitegirl to turn R&B into bubble gum music.
Justin timberlake did it, gwen stefani does it at times, jojo does it and christina aguilera at times and many others. To me being a big fan of R&B they butcher it. Don't know what the hell they doing.

I'll take my white people doing R&B robin thicke style and teena marie style :lol: .
No thank you to those who be butchering it.

 

Baloney. Robin Thicke got non-stop airplay. Joss Stone got very limited airplay.And all the black ladies in my office (who were tuning into the urban radio stations) kept complaining during the few times Stone' song was played.

Timbalake also doesn't get that much air play on hard core urban radio stations that target almost exclusively an African American audience. He is likley to get play though on these new type of stations that target a larger white audience (mixed but mostly white) with a mostly R&B playlist. To get a true idea of who gets airplay on the hard core urban radio stations just check out Billboard magazine. Thicke was much more prevalent on the lists for urban radio play than Timberlake who is mostly grouped into the "pop" category.

 

you know what, i couldn't agree more.

 

Well, I wouldn't put Christina Aguilera or JoJo in that category because they have very good voices, kinda like Mariah Carey. However, Gwen Stefani and Justin timberlake are butchering R&B.

 

I didn't say anything about their voices pat, I said the style in which they put it in at times can be butchering R&B.

 

These days black artists butcher R&B more than anyone else. Especially the slew of talentless divas who are given record deals for their light skin, light eyes and long (at times) fake hair. A Patti LaBelle coming along today would not get much publicity because she doesn't "look the part" if you get my drift. Her talent would be irrevelant.

R&B peaked probably in the 60s or 70s. Or maybe I should say soul music peaked then because I still consider R&B to be the stuff you heard back in the 50s which inspired the formation of rock n' roll. Wake me up concerning R & B/soul music when BLACK MALE SINGERS become far more common than they are now. When the music industry is looking for the next Marvin Gaye (or even someone like Maxwell) as much as they are for the next Beyonce clone (no offense to Beyonce....it ain't her fault). Fuck Robin Thicke because the VH-1s of the world give him more play tha they would for any black male soul singer worth his salt. To Thicke's credit he has acknowledge the advantages he gets in some corners because of his skin color and he deserves props for speaking about that to the media. But fuck him nonetheless. When the country music record industry and the country radio stations ALLOW a black man (by giving him access) to be a successful romantic crooner then and only then will I feel the system is fair. But excuse me for not jumping up an down when Thicke gets the pub and play that some black male singers (who are also good writers) never get a chane to make a name for themselves.

By the way Stefani is not trying to do R&B/soul music. Her aim is the pop charts and she uses current so-called black music styles to add "flavor" to her songs. The black producers she works with are more than happy to oblige and produce material for her (wish many of them were interested in finding the next great black ale singer instead). Yet she's not trying to cross over into the urban market. Instead she is doing what white musicians have done since the time of jazz...bring a black form/style of music to a larger mainstream (read white) audience.

Jo Jo is mostly courting a pop audience too. As is Christina. The only one that openly courts urban radio (going to actual R&B stations and tourning with black opening acts or with black singers such as John Legend) is Joss Stone.

 

Joss Stone is more of a soul singer though, her sounds relates more to that.

 

If Tynisha hooks up with a couple super-producers and gets some top-notch writers behind her music, she will do just fine.

 

Whiteman's world. We all know when a white man do black music he is going to get more props (by the media.) to attempt to bump out black men in music because their are some good ones out there (j. holiday, trey songz, tank, etc.) and they only attend to white women who do black music who keeps relationship with blackmen strictly business just compare fergie's fame to joss stone's fame. Anatsacia's fame to christina aguliera. And black women will always of course get the fame because whitemen love black women in the industry. Black man's music lives in a whiteman's world they will dictate how they want things to be and it's going to be like that, until like I said we get some of these black entertainers being more vocal and truthful or it will continue to be so. Our black entertainers are silent and some aint nothing but ass-kissers.

 

Kenny G and Jamal, you both are right.